神乐之死

神乐之死

2012
12 年前

视频简介

BBC2迷你剧《与敌为伴》由Stephen Poliakoff撰写并导演,Helen Flint、Hilary Bevan Jones和Colin Callender参与制片。该剧以二战中被炸毁的一座伦敦饭店为背景,故事时间则设定在二战结束后的第一年。英国仍然受到严格的军事管制,英国军队以「军事战略」为理由任意征用家庭住宅、学校或其他设施作为军事用途,人们对此习以为常。冷战已经初具雏形,昔日的盟军成员国意识到纳粹德国的一些顶级科学家可能对他们建设国土防御体系极有帮助,于是四处展开追捕。 Callum Ferguson上尉(Jim Sturgess)就是从事这项任务的一名英国情报官员。在退役之前,他必须完成最后一项军事任务:确保在战争中被俘获的德国科学家Dieter(August Diehl)将关乎英国国家安全的尖端军事科技秘密交出来。为了劝说Diet...。这是一个探索人们怎么撒谎和为什么撒谎的电影。这部电影进行实验,测量我们说谎的倾向——有时甚至是在不知情的情况下。在个人层面上看,从善意的谎言到毁灭性的的欺骗,人们在镜头前分享他们说过的谎。专家测试我们行为背后的意义,我们不诚实的含义。行为科学家Dan Ariely将这些元素组合在一起,引导我们发现复杂的真理所在。。The subtitle of Jean-Marie Straub and Danièle Huillet’s first feature, from 1965, “Only Violence Helps Where Violence Reigns,” suggests the fierce political program evoked by their rigorous aesthetic. The pretext of the film, set in Cologne, is Heinrich Böll’s novel “Billiards at Half Past Nine,” which they strip down to a handful of stark events and film with a confrontational angularity akin to Bartók’s music that adorns the soundtrack. The subtlest of cues accompany the story’s complex flashbacks. The middle-aged Robert Fähmel tells a young hotel bellhop of persecutions under the Third Reich| his elderly father, Heinrich, an architect famed for a local abbey, recalls the militarism of the First World War, when his wife, Johanna, incurred trouble for insulting the Kaiser. A third-generation Fähmel is considering architecture, just as the exiled brother of Robert’s late wife, returns, only to be met by their former torturer, now a West German official taking part in a celebratory parade of war veterans. Straub and Huillet make the layers of history live in the present tense, which they judge severely. The tamped-down acting and the spare, tense visual rhetoric suggest a state of moral crisis as well as the response—as much in style as in substance—that it demands.。

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